In this class, students will create a small kitchen utility knife. Starting with a section of flat 1080 steel bar, the class will cover forging, grinding, heat treatment, handle fitment and finishing techniques. Students will leave with a finished, full-tang blade, ready to prep a meal. There will be opportunities for additional forging as time allows. Beginner blacksmithing experience is strongly recommended but not required.

Must bring:

1. Work boots/shoes. No sneakers
2. Long pants, no shorts
3. Clothing must be cotton/denim/wool, no synthetics
4. Comfortable safety glasses
5. Notepad
6. Water bottle

Class size is limited to 6

Materials fee: $25

Zach is a welder by trade with experience in a wide range of industries. Based in rural NY, he is an ABS bladesmith who creates custom, heirloom-quality, hand forged kitchen cutlery and edged tools. He strives to blend traditional and modern techniques and materials to create quality tools to be used for decades in the kitchen. After teaching welding for Monroe Community College and at the Arc + Flame Center for seven years, Zach now runs his own company where, in addition to blades, he manufactures tooling and machines for blacksmiths and metalworkers. He is passionate about collaborating with other local artisans, makers, and tradespeople. In his classes, Zach seeks to inspire students by sharing the functional artistry of modern bladesmithing. https://tarbellindustries.com/

In this 4-day class Andrew covers everything you need to know about Japanese hand planes. What seems like a simple tool, a blade and a block of wood, the Japanese plane (Kanna) is actually complex instrument with many subtle qualities. The first challenge most woodworkers face when learning to use a Kanna is that they don’t come ready to use out of the box. You are only supplied with great ingredients, and it is up to the user to get the fit between the blade and the block just right.

In the past, Andrew has separated teaching Japanese planes into two distinct classes. Class 1 involves setting up a plane with a single cutting blade and Class 2 covers setting up the chip breaker. Andrew is now teaching the complete setup and use of Japanese planes in a single 4-day class. Each student will receive a new plane (or bring your own if you have one already). If this is your first Japanese plane, Andrew recommends starting with this 45mm Yamamoto plane. If you have already taken Andrew’s plane Class 1 or if you have experience setting up a new plane, he recommends this 65mm Yamamoto plane

Andrew will work with each student to get their new plane into working order. He will cover sharpening and shaping the blade, fitting the blade to the block, fitting and adjusting the chip breaker and profiling the sole for optimal performance. Of course, you will also spend time using your new plane, learning to work with your whole body, not just your arms. By the conclusion of this class, each student will take home a fully operational Japanese hand plane and have the know how to keep it working correctly.

Students will pay Andrew directly for their new plane. The current cost of the 45mm plane is $200 and the 65mm plane is $350. The cost of the plane is not included in this course cost.

Class fee: $650

Class size limited to 10

Andrew is a custom furniture maker working and living in New York’s Hudson Valley. Best known for his use of traditional Japanese hand tools, Andrew demonstrates and teaches across the country. As a self-taught woodworker, he offers a unique perspective to other Americans exploring Eastern woodworking. His workshops demonstrate that by understanding the fundamental principles behind other cultures’ tools and techniques, all woodworkers can benefit. A frequent contributor to Fine Woodworking magazine, he is eager to share what he has learned in his 25-plus years of making furniture. https://www.instagram.com/andrewhunter_furniture/

In this weekend workshop, students will learn to create a round tabletop with a cracked ice pattern in figured maple. The cracked ice pattern is seen widely in Chinese decorative arts and is a great way to learn how to construct geometric veneer patterns. The pattern utilizes the wood’s natural chatoyancy to create a surface with shapes that shift from light to dark.

Class fee: $385

Materials fee: $50

Class size limited to 10

Tim Coleman creates custom furniture in a shop he built a few paces from his home in rural Western Massachusetts. He has been creating furniture for clients and exhibition for more than 35 years after studying at the College of the Redwoods with James Krenov in the 1980s. Tim is known for his graceful and dynamic furniture forms which often feature richly patterned and textured surfaces. Using low-relief carving, marquetry, embossing, and thick veneer tiles, he has developed simple but innovative techniques that put a new spin on traditional embellishment. As passionate as Coleman is about his own work, he is equally excited to pass on his knowledge as a frequent contributor to Fine Woodworking Magazine and by teaching at schools throughout the US.

This stool is featured in the latest Fine Woodworking magazine.

In this 5-day workshop, students will learn to build a contemporary counter stool that combines precise machine work for the legs and stretchers with a hand-shaped seat and footrest. Featured in the most recent issue of Fine Woodworking Magazine, this shapely stool is a great project to learn mortise and tenon joints, both through tenons and floating tenons to connect the legs to the solid wood seat. Students will have lots of practice with the band saw to cut the legs, seat and footrest, and will also gain experience with a hollow chisel and slot mortiser. The seat is shaped with a compass plane, and students will use carving gouges and round bottom planes to shape the cove under the seat. Tim will provide a detailed, measured drawing for each student and jigs to aid in the making.

Class fee: $900

Materials fee: $75

Class size limited to 10

Tim Coleman creates custom furniture in a shop he built a few paces from his home in rural Western Massachusetts. He has been creating furniture for clients and exhibition for more than 35 years after studying at the College of the Redwoods with James Krenov in the 1980s. Tim is known for his graceful and dynamic furniture forms which often feature richly patterned and textured surfaces. Using low-relief carving, marquetry, embossing, and thick veneer tiles, he has developed simple but innovative techniques that put a new spin on traditional embellishment. As passionate as Coleman is about his own work, he is equally excited to pass on his knowledge as a frequent contributor to Fine Woodworking Magazine and by teaching at schools throughout the US.