Wendell Castle changed furniture history when he incorporated stack lamination techniques into his work. This allowed him to move away from “stick build” to more fluid pieces. This course will take you through the entire stack lamination process but will focus on the design and digital template creation front end. (The companion 5-day course will focus on the fabrication and carving processes.) Each student will create their own design. The process steps we will go through in class is as follows:

1. Sketch
2. Carve in foam or clay
3. 3D scan
4. Clean up model and manipulate
5. Digitally slice the model and to automatically create templates

Students will need to bring their computers for steps 4 and 5. Instructor Taeyoul (Terry) Ryu was a longtime employee of Wendell’s and is a master of the stack lamination technique. There will also be at least one full-time assistant instructor. Class size is limited to 10 students.

Read about Castle's pioneering techniques in this Fine Woodworking article, originally published in 1976.

Class fee: $350

Class size limited to 10

Taeyoul Ryu is a furniture designer with a BFA in Sculpture from the Chung-Ang University in Seoul, Korea and an MFA in Woodworking and Furniture Design from the Rochester Institute of Technology in Rochester, N.Y. Taeyoul worked for Wendell Castle for 17 years on all aspects of his work. Taeyoul is an expert in design, sculpting, and the stack lamination method. Taeyoul’s work has been featured in at least ten exhibitions at the Burchfield Penney Art Center, including six iterations of Art in Craft Media, a biennial juried exhibition at the center,In 2022. Ryu was named Langley Kenzie Prize winner and had an exhibition of his work, Royalty, featured at the Burchfield Penney Art Center. http://taeyoulryu.com/

There is no satisfaction like making something with tools that you've made. This workshop will focus on forging functional tools for use in the woodshop. Students will start by learning about appropriate steels and how to process them to bring out the desired qualities in hand tools such as durability, edge retention, and sharpenability. Students will then forge a drawknife and froe. Tools will be forged, filed, and rough ground prior to heat treat. After heat treating tools will be finish ground and sharpened as time allows. Students will also turn handles on a lathe. Final sharpening is an exercise left for home, though basic edge geometry will be established in the class.

Who Should Take this class:

This class is open a to all experience levels but prior forging experience is recommended. This is an interactive, hands on course where you will be forging tough materials and forge welding. Some project modifications may be made for those with less experience. Class will make use of hand and some power tools (grinders).

Class fee: $275

Materials fee: $50

Class size limited to 6

Brian took his first blacksmithing class in 2005 under local smith Richard Rightmyer to learn how to make his own woodworking tools. Captivated by the feel of hot metal under the hammer, Brian poured all his free time into advancing his smithing skills taking classes whenever he could. Brian began teaching blacksmithing and coppersmithing in 2012 and has demonstrated at many public events and conferences. Recently, he has focused on the art of copper chasing, finding the meticulous attention to detail it requires to be a form of meditation in motion. Brian is an electrical engineer by day and holds a 6th Degree black belt in Aikido. He finds many commonalities with the efficient body movements of martial arts and the proper ergonomics for blacksmithing and coppersmithing. Brian has blended the arts to create effective and safe hammering techniques for people of all sizes. s an engineer, he is fascinated by the science of blacksmithing, specifically the metallurgy that goes into tool making. He firmly believes that true learning happens when you are having fun.

Wendell Castle changed furniture history when he incorporated stack lamination techniques into his work. This allowed him to move away from “stick build” to more fluid pieces. This course will take you through the entire stack lamination process but will focus on the fabrication and carving steps. (The companion, 2-day, course will focus on the design front-end.) Each student will choose one of four designs to build or they can build what they designed if they took the preceding 2-day course, Design Techniques and Tools for Stack Lamination. Designs should be limited to a 12"x12"x24" envelope in order to finish the glue-up and carving within 5 days.. Templates of your chosen design will be provided to you. You’ll then trace the template on prepared stock, cut it out on a bandsaw, glue-up the laminations, and carve. We’ll progress through various power carving tools starting with an electric chainsaw and/or an angle grinder. We’ll then finish with hand tools. Instructor Taeyoul (Terry) Ryu was a longtime employee of Wendell’s and is a master of the stack lamination technique. There will also be at least one full-time assistant instructor. Class size is limited to 8 to ensure plenty of individualized attention.

Read about Castle's pioneering techniques in this Fine Woodworking article, originally published in 1976.

Class fee: $850

Materials: $100

Class size limited to 8

Taeyoul Ryu is a furniture designer with a BFA in Sculpture from the Chung-Ang University in Seoul, Korea and an MFA in Woodworking and Furniture Design from the Rochester Institute of Technology in Rochester, N.Y. Taeyoul worked for Wendell Castle for 17 years on all aspects of his work. Taeyoul is an expert in design, sculpting, and the stack lamination method. Taeyoul’s work has been featured in at least ten exhibitions at the Burchfield Penney Art Center, including six iterations of Art in Craft Media, a biennial juried exhibition at the center,In 2022. Ryu was named Langley Kenzie Prize winner and had an exhibition of his work, Royalty, featured at the Burchfield Penney Art Center. http://taeyoulryu.com/

This two-day overview class will provide a quick look at how woodworkers can use their tools and equipment to include elements crafted from non-ferrous metals such as copper, aluminum and brass. Students will have the opportunity to get hands-on experience cutting and shaping copper into a hanging light to bring home. The class will touch on drilling, tapping, bending, rolling and shearing metals, and well as various soldering alternatives for joining pieces together.

Class fee: $300

Materials fee: $50

Class size limited to 10

Andrew Glantz is a furniture designer and maker who lives and works in Scottsdale, Arizona. Born and raised on the East Coast, he graduated from the Frederic Gunn School, 1967 and Wesleyan University; BA, 1971 and MAT, 1972. After teaching Graphic Arts for ten years, he turned to period piece renovation and construction from 1978 to 1984. When he moved West in 1984, he began to devote his efforts solely to contemporary, sculptural furniture design and construction. He is the owner of Zenith Design, a one-person studio, and is responsible for all phases of design, construction and marketing. He is an arts activist and before moving to Scottsdale, he lived on the Navajo Nation from 1984 to 1987. He moved to Salt Lake City in 1987, and was involved with the Salt Lake Arts Council, the Salt Lake Arts Center, and the Utah Arts Council’s Endowment Fund Development Committee. He also ran the Vital Arts Gallery as volunteer executive director for three years and has curated several major exhibitions. He relocated to Scottsdale in 2002. A longtime member of the Furniture Society, Andrew was tapped to serve as a trustee in 2005, and served as treasurer, vice president and president of the board of trustees, as well as chair of the development committee. His term of office ended in 2011. He is an active advisor for the Southwest School of Woodworking. He teaches furniture design and construction at the Southwest School of Woodworking in Phoenix and the Marc Adams School of Woodworking in Franklin, Indiana. He is a presenter committee member of he Yuma Art Symposium. His articles on furniture design and construction appear in several trade magazines. He delights in mentoring makers far and wide through teaching and Zoom meetings from Florida to Utah and locally.