This one-day class is for everyone who has been confused, frustrated, and otherwise unsure about how to choose from the vast array of finishing products, and how to apply them. The goal is to carefully explain the building blocks of all wood colorants and finishes so that students can confidently make informed choices by knowing “what’s in the can”. The class format is a mixture of lecture, demonstration and hands on activities with an emphasis on the science, craft and art of wood finishing.

The morning is devoted to color, with an exploration of dye and pigments and how these two very different materials can be used separately and together to achieve effects including color matching, enhancing or “popping” the grain, and harmonizing the colors within a board or on an entire project. To focus on the optics of color, students will complete a classic color wheel to see the relationships of the various colors and how they interact, and how the color “temperature” of the light affects the way we actually see color. Students will also gain experience in using the four different methods of applying color: dyeing, staining, glazing and toning, which provide a nearly endless set of possible colors and decorative effects with both oil based and waterborne colorants. There will also be discussion and demonstration of using asphaltum (tar) as a glazing and ageing agent, and the many chemical or “reactive” treatments that can be used to alter the natural color of various woods.

The afternoon is all about the huge number of different finishing products available on the market, and the goal is to understand that they are all composed of the same basic components, and that they fall into groups or “families” that have similar working properties, but do not always work well with products from other families. Students will practice several ways to apply shellac, and employ the proper applicators and techniques for oil based, and waterborne varnishes, as well as the very popular hard wax-oil formulations. Using prepared panels, students will practice various techniques for rubbing out a cured finish, both to lower the sheen or to enhance the gloss.

MIKE MASCELLI has been a student and practitioner of the upholstery trade for nearly 50 years and divides his time between the worlds of classic cars and classic furniture. He has provided upholstery for national champion cars and furniture that is on display at the US House of Representatives and numerous historic homes and private collections. He is also the longtime Director of the Professional Refinisher’s Group an organization of professionals in the conservation and restoration trades, from whom he has learned much of the science, art and craft of wood finishing. Mike actively lectures and teaches, and has instructed hundreds of students in basic and advanced upholstery techniques as well as the fundamentals of wood finishing at the Connecticut Valley School of Woodworking, the Marc Adams School of Woodworking, and numerous other schools and organizations both in person and on line in both America and England. He contributed an essay on 18th century upholstery techniques for Roubo on Furniture by Don Williams (Lost Art Press). Mike has also published a number of articles on various aspects of historic upholstery in the Journal of the Society of American Period Furniture Makers (SAPFM) and on modern upholstery for Fine Woodworking. He has also completed several instructional videos on upholstery and finishing for Popular Woodworking, and Fine Woodworking, and was a presenter at the “Working Wood in the 18th c”. conference at Williamsburg. In the summer of 2024 Fine Woodworking will release an online course: Foundations of Furniture Finishing” presented by Mike. In addition to driving some classic cars, Mike and his wife are the very proud grandparents of two small boys who are the main focus of semi-retirement.

In this class, students will create a small kitchen utility knife. Starting with a section of flat 1080 steel bar, the class will cover forging, grinding, heat treatment, handle fitment and finishing techniques. Students will leave with a finished, full-tang blade, ready to prep a meal. There will be opportunities for additional forging as time allows. Beginner blacksmithing experience is strongly recommended but not required.

Must bring:

1. Work boots/shoes. No sneakers
2. Long pants, no shorts
3. Clothing must be cotton/denim/wool, no synthetics
4. Comfortable safety glasses
5. Notepad
6. Water bottle

Class size is limited to 6

Materials fee: $25

Zach is a welder by trade with experience in a wide range of industries. Based in rural NY, he is an ABS bladesmith who creates custom, heirloom-quality, hand forged kitchen cutlery and edged tools. He strives to blend traditional and modern techniques and materials to create quality tools to be used for decades in the kitchen. After teaching welding for Monroe Community College and at the Arc + Flame Center for seven years, Zach now runs his own company where, in addition to blades, he manufactures tooling and machines for blacksmiths and metalworkers. He is passionate about collaborating with other local artisans, makers, and tradespeople. In his classes, Zach seeks to inspire students by sharing the functional artistry of modern bladesmithing. https://tarbellindustries.com/

In this 4-day class Andrew covers everything you need to know about Japanese hand planes. What seems like a simple tool, a blade and a block of wood, the Japanese plane (Kanna) is actually complex instrument with many subtle qualities. The first challenge most woodworkers face when learning to use a Kanna is that they don’t come ready to use out of the box. You are only supplied with great ingredients, and it is up to the user to get the fit between the blade and the block just right.

In the past, Andrew has separated teaching Japanese planes into two distinct classes. Class 1 involves setting up a plane with a single cutting blade and Class 2 covers setting up the chip breaker. Andrew is now teaching the complete setup and use of Japanese planes in a single 4-day class. Each student will receive a new plane (or bring your own if you have one already). If this is your first Japanese plane, Andrew recommends starting with this 45mm Yamamoto plane. If you have already taken Andrew’s plane Class 1 or if you have experience setting up a new plane, he recommends this 65mm Yamamoto plane

Andrew will work with each student to get their new plane into working order. He will cover sharpening and shaping the blade, fitting the blade to the block, fitting and adjusting the chip breaker and profiling the sole for optimal performance. Of course, you will also spend time using your new plane, learning to work with your whole body, not just your arms. By the conclusion of this class, each student will take home a fully operational Japanese hand plane and have the know how to keep it working correctly.

Students will pay Andrew directly for their new plane. The current cost of the 45mm plane is $200 and the 65mm plane is $350. The cost of the plane is not included in this course cost.

Class fee: $650

Class size limited to 10

Andrew is a custom furniture maker working and living in New York’s Hudson Valley. Best known for his use of traditional Japanese hand tools, Andrew demonstrates and teaches across the country. As a self-taught woodworker, he offers a unique perspective to other Americans exploring Eastern woodworking. His workshops demonstrate that by understanding the fundamental principles behind other cultures’ tools and techniques, all woodworkers can benefit. A frequent contributor to Fine Woodworking magazine, he is eager to share what he has learned in his 25-plus years of making furniture. https://www.instagram.com/andrewhunter_furniture/

In this weekend workshop, students will learn to create a round tabletop with a cracked ice pattern in figured maple. The cracked ice pattern is seen widely in Chinese decorative arts and is a great way to learn how to construct geometric veneer patterns. The pattern utilizes the wood’s natural chatoyancy to create a surface with shapes that shift from light to dark.

Class fee: $385

Materials fee: $50

Class size limited to 10

Tim Coleman creates custom furniture in a shop he built a few paces from his home in rural Western Massachusetts. He has been creating furniture for clients and exhibition for more than 35 years after studying at the College of the Redwoods with James Krenov in the 1980s. Tim is known for his graceful and dynamic furniture forms which often feature richly patterned and textured surfaces. Using low-relief carving, marquetry, embossing, and thick veneer tiles, he has developed simple but innovative techniques that put a new spin on traditional embellishment. As passionate as Coleman is about his own work, he is equally excited to pass on his knowledge as a frequent contributor to Fine Woodworking Magazine and by teaching at schools throughout the US.